JMM 2, Spring 2004, section 12

RECENT PUBLICATIONS
in the Area of Music-and-Meaning Studies

Books

Boykan, M. (2004). Silence and Slow Time: Studies in Musical Narrative. Scarecrow Press. [comment]
Chua, Daniel (1999). Absolute music and the construction of meaning. Cambridge University Press. [comment]
Clayton, M., Herbert, T. & Middleton, R. (2003). The Cultural Study of Music. Routledge. [comment]
Davies, Stephen (2001). Musical works and performances: A Philosophical Exploration. Oxford University Press. [comment]
Davies, Stephen (2003). Themes in the Philosophy of Music. Oxford University Press. [comment]
Dell’Antonio, Andrew (ed.) (2004). Beyond Structural Listening: Postmodern Modes of Hearing. University of California Press. [comment]
Denizeau, Gérard (2003). Peindre la Musique. Paris: Acatos. [comment]
Deutsch, Diana (2003). Music and Brain: How we make sense of sound. Springer-Verlag Telos. [comment]
Hatten, Robert S. (forthcoming). Interpreting Musical Gestures, Topics and Tropes. Indiana University Press. [comment]
Juslin, P.L. & Sloboda J.A. (2001). Music and Emotion: Theory and Research. Oxford University Press. [comment]
Klein, Michael L. (forthcoming). Intertextuality in Western Art Music. Indiana University Press. [comment]
Korta, K. & Larrazabal, J.M. (eds.) (2004). Truth, Rationality, Cognition and Music: Proceedings of the Sevent International Colloquium on Cognitive Science. Kluwer Academic Publishers. [comment]
Kramer, Lawrence (2001). Musical Meaning: Toward a critical history. University of California Press. [comment]
Kühl, O. (2003). Improvisation og tanke. Basilisk. [comment]
Lidov, David (forthcoming). Is Music a Language: Writings on Musical Form and Signification. Indiana University Press. [comment]
Moreno, Jairo (forthcoming). Musical Representations, Subjects and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber. Indiana University Press. [comment]
Neuhoff, John G. (ed.) (2004). Ecological Psychoacoustics. Wooster: Academic Press. [comment]
Perkovic, I. & Stojanovic-Novicic, D. (eds.) (2002). Muzika kroz misao. Beograd: Fakultet Muzicke Umetnosti. [comment]
Rihm, Wolfgang (2002). Offene Enden. Hanser Belletristik. [comment]
Sangild, T. (2004). Objektiv Sensibilitet. Copenhagen: available on-line. [comment]
Snyder, Bob (2001). Music and Memory: An Introduction. MIT Press. [comment]
Spitzer, Michael (2004). Metaphor and Musical Thought. University of Chicago Press. [comment]
Steinberg, Michael P. (2004). Listening to Reason: Culture, Subjectivity and Nineteenth-century Music. Princeton University Press. [comment]
Stevens, C., Burnham, D., McPherson, G., Schubert, E. & Renwick, J.M. (eds.) (2002). Proceedings of the 7th International Conference on Music Perception and Cognition. Adelaide: Causal Productions. [comment]
Tenzer, M. (2000). Gamelan Gong Kebyar : The Art of Twentieth-Century Balinese Music. [Chicago Studies in Ethnomusicology]. University of Chicago Press. [comment]
Washburne, C. & Dernø, M. (eds.) (2004). Bad Music. Routledge. [comment]

Papers

Carr, David (2004). Music, meaning and emotion. Journal of Aesthetics and Art Criticism 62 (3), 225-234. [comment]
Donin, E. & Goldman, J. (eds.) (2003). Qui écoute? 1-2. Circuit: Musiques contemporaines 13, 2 - 14, 1. [comment]
Elschek, O. (2002). Die Beziehung zwishen Musikphilosophie und Musikästhetik. Musicologica Istropolitana 1, 11-24. [comment]
Hyde, K. L. & Peretz, I. (2004). Brains that are Out of Tune but in Time. Psychological Science 15 (5), 356-360. [comment]
Iyer, Vijay (2002). Embodied mind, situated cognition, and expressive microtiming in African-American music. Music perception: An interdisciplinary journal 19 (3), 387-414. [comment]
Jensen, K. (2002). Musical instruments control and expression. In: K. Jensen (ed.), Proceedings of the Mosart Midterm Meeting. Denmark. [comment]
Jensen, K. (2002). The timbre model. In: K. Jensen (ed.), Proceedings of the Mosart Midterm Meeting. Denmark. [comment]
Ockelford, Adam (2004). On similarity, derivation and the cognition of musical structure. Psychology of music 32 (1), 23-74. [comment]
Sangild, T. (2002). Sensitive electronics. In: J.W. Goetz (ed.), Look at the Music – SeeSound. Ystad Art Museum / Museum of Contemporary Art, Roskilde. 20-28. [comment]
Sangild, T. (2004). Glitch – The Beauty of Malfunction. In: C. Washburne & M. Dernø (eds.), Bad Music. New York: Routledge. [comment]
Sibelius-Akatemia (2003). Music and meaning. Finnish music quarterly 2003, 2. [comment]