JMM: The Journal of Music and Meaning
RECENT PUBLICATIONS
in the Area of Music-and-Meaning Studies — All JMM Issues
Books
Accaoui, C. (2001). Le temps musical. Paris: Desclée de Brouwer.
Aldridge, D. & Fachner, J. (eds.) (2009). Music and Altered States: Consciousness, Transcendence, Therapy and Addictions. Jessica Kingsley.
Aldridge, David (ed.) (2005). Music Therapy And Neurological Rehabilitation: Performing Health. Jessica Kingsley Publishers.
Aldridge, Gudrun & Aldridge, David (2008). Melody in Music Therapy: A Therapeutic Narrative Analysis. Jessica Kingsley Publishers.
Almén, Byron & Pearsall, Edward (2006). Approaches to Meaning in Music. Indiana University Press.
Altenmüller, Eckart, Wiesendanger, Mario & Kesselring, Jurg (eds.) (2006). Music, Motor Control, and the Brain. Oxford University Press.
Altenmüller, Eckart (2009). Vom Neandertal in die Philharmonie: Gehirn, Musik und Evolution. Spektrum Akademischer Verlag.
Andre, Naomi Adele (2006). Voicing Gender: Castrati, Travesti, And the Second Woman in Early Nineteenth-Century Italian Opera. Indiana University Press.
Arbo, Alessandro (forthcoming). Perspectives de l’esthétique musicale: Entre théorie et histoire. Editions L’Harmattan.
Arom, S. & Alvarez-Péreyre, F. (2007). Précis d’ethnomusicologie. CNRS Editions.
Attali, J. (2001). Bruits. Fayard. (1)
Ayari, M. (2003). L'ecoute des musiciens arabes improvisée: Essai de psychologie cognitive de l'audition. Paris: L'Harmattan. (2)
Ayrey, Craig (ed.) (2004). Analytical Strategies and Musical Interpretation. Essays on Nineteenth and Twetieth-Century Music. Cambridge University Press.
Baltazar, Marie (ed.) (2006). Terrains de la musique. Editions L’Harmattan.
Barrow, John D. (2005 new ed.). The Artful Universe Expanded. Oxford University Press.
Bartel, D. (2002). Musica Poetica: Musical-Rhetorical Figures in German Baroque Music. University of Nebraska Press.
Bartlett, Rosamund & Bullock, Philip (2004). Russian Musical Identity. Legenda.
Beaman, J. (2003). How we hear music. Woodbridge, Rochester: Boydell Press.
Beauchamp, James W. (2007). Analysis, Synthesis, and Perception of Musical Sounds. Springer.
Becker, A. & Vogel, M. (eds.) (2007). Musikalischer Sinn: Beiträge zu einer Philosophie der Musik. Suhrkamp.
Becker, Alexander & Vogel, Matthias (eds.) (2007). Musikalischer Sinn: Beiträge zu einer Philosophie der Musik. Suhrkamp.
Benson, Dave (2007). Music: A Mathematical Offering. Cambridge University Press.
Beran, J. (2003). Statistics in Musicology. CRC Press.
Berger, Karol & Newcomb, Anthony (2005). Music and the Aesthetics of Modernity: Essays. [Havard Publications in Music]. Havard University Press.
Bicknell, Jeanette (2009). Why Music Moves Us. Palgrave Macmillan.
Biddle, Ian & Knight, Vanessa (eds.) (2007). Music, National Identity, and the Politics of Location. Ashgate Publishing.
Bielefeldt, Christian, Dahmen, Udo & Grossmann, Rolf (eds.) (2007). PopMusicology: Perspektiven der Popmusikwissenschaft. Transcript.
Birdsall, Carolyn & Enns, Anthony (2008). Sonic Mediations: Body, Sound, Technology. Cambridge Scholars Publishing.
Blasius, Leslie David (2006). Schenker’s Argument and the Claims of Music Theory. Cambridge University Press.
Blesser, B. & Salter, L. R. (2009). Spaces Speak, Are You Listening?. MIT Press.
Blesser, Barry & Salter, Linda-Ruth (2006). Spaces Speak: Are You Listening: Experiencing Aural Architecture. MIT Press.
Bowie, Andrew (forthcoming). Music, Philosophy, and Modernity. Cambridge University Press.
Bowie, Andrew (2007). Music, Philsophy, and Modernity. Cambridge University Press.
Boykan, M. (2004). Silence and Slow Time: Studies in Musical Narrative. Scarecrow Press.
Braun, H.-J. (2002). Music and Technology in the Twentieth Century. John Hopkins University Press.
Brown, Steven & Volgsten, Ulrik (eds.) (2006). Music and Manipulation: On the Social Uses and Social Control of Music. Berghahn Books.
Bruhn, Herbert <i>et. al.</i> (eds.) (2005). Musikpsychologie. Rowohlt Tb.
Bruno, De Florence (2008). Musique Semiotique et Pulsion. L'Harmattan.
Bull, Michael & Back, Les (eds.) (2003). The Auditory Culture Reader. Berg Publishers.
Campen, Cretien van (forthcoming). The Hidden Sense: Synaesthesia in Art and Science. MIT Press.
Chevallier, B. (2003). Le cerveau de Mozart. Odile Jakob.
Chew, E., Childs, A. & Chuan, C. (eds.) (2009). Mathematics and Computation in Music: Second International Conference Proceedings. Springer.
Chouard, C. (2001). L'Oreille musicienne : les chemins de la musique de l'oreille au cerveau. Gallimard.
Chouvel, J.-M. & Lévy F. (eds.) (2002). Observation, analyse, modèle: Peut-on parler d'art avec les outils de la science. [Les cahiers de l'Ircam]. L'Harmattan.
Chouvel, Jean-Marc (2006). Analyse Musicale: Sémiologie et cognition des formes temporelles. Editions L’Harmattan.
Chua, Daniel (1999). Absolute music and the construction of meaning. Cambridge University Press.
Chua, Daniel (2006). Absolute Music and the Construction of Meaning. Cambridge University Press.
Clake, E., Dibben, N. & Pitts, S. (2009). Music and mind in everyday life. Oxford University Press.
Clarke, Eric (2005). Ways of listening: An Ecological Approach to the Perception of Musical Meaning. Oxford University Press.
Clarke, Eric F. (2005). Ways Of Listening: An Ecological Approach To The Perception Of Musical Meaning. Oxford University Press.
Clayton, M., Herbert, T. & Middleton, R. (2003). The Cultural Study of Music. Routledge.
Cohen, Dalia & Katz, Ruth (2004). Palestinian Arab Music: A Maqam Tradition in Practice. University of Chicago Press.
Cohen-Levinas, Danielle (ed.) (2005). Musique et philosophie. Orfeo, no. 2. Editions L’Harmattan.
Collins, Paul (2005). The Stylus Phantasticus And Free Keyboard Music Of The North German Baroque. Ashgate Publishing.
Colwell, Richard (2006). MENC Handbook of Musical Cognition and Development. Oxford University Press.
Cook, Nicholas (forthcoming). The Schenker Project: Culture, Race, and Music Theory in Fin-de-Siècle Vienna. Oxford University Press.
Cook, Nicolas (2007). Music, Performance, Meaning. Ashgate.
Cope, David (2005). Computer Models of Musical Creativity. MIT Press.
Cox, Christoph & Warner, Daniel (eds.) (2004). Audio Culture: Readings in Modern Music. Continuum International Publishing Group.
Cumming, N. (2001). The Sonic Self: Musical Subjectivity and Signification. Indiana University Press.
Dalla Bella, S., Kraus, N., Overy, K., Pantev, C. & Snyder, J.S. et al. (2009). The Neurosciences and Music III: Disorders and Plasticity. Wiley-Blackwell.
Darbon, Nicolas (2006). Les Musiques du Chaos. Editions L’Harmattan.
Darbon, Nicolas (2007). Musica Multiplex: Dialogique du simple et du complexe en musique contemporaine. Editions L’Harmattan.
Davies, Stephen (2001). Musical works and performances: A Philosophical Exploration. Oxford University Press.
Davies, Stephen (2003). Themes in the Philosophy of Music. Oxford University Press.
Davies, Stephen (2004). Musical Works and Performances: A Philosophical Exploration. Oxford University Press.
Davis, Leith (2005). Music, Postcolonialism, and Gender: The Construction of Irish National Identity, 1725-1874. University of Notre Dame Press.
Davis, Ruth (2005). Malouf: Reflections on the Arab Andalusian Music of Tunisia. Scarecrow Press.
Dayan, Peter (2006). Music Writing Literature, from Sand via Debussy to Derrida. Ashgate Publishing.
Deliège, Irène & Wiggins, Geraint A. (eds.) (2005). Musical Creativity: Multidisciplinary Research in Theory And Practice. Psychology Press (UK).
Dell’Antonio, Andrew (ed.) (2004). Beyond Structural Listening: Postmodern Modes of Hearing. University of California Press.
Denizeau, Gérard (2003). Peindre la Musique. Paris: Acatos.
Deutsch, Diana (2003). Music and Brain: How we make sense of sound. Springer-Verlag Telos.
Dodd, Julian (2007). Works of Music: An Essay in Ontology. Oxford University Press.
Edgerton, Michael Edward (2005). The 21st Century Voice: Contemporary and Traditional Extra-Normal Voice. Scarecrow Press.
Emmerson, Simon (2007). Living Electronic Music. Ashgate Publishing.
Emmerson, Simon (2007). Living Electronic Music. Ashgate.
Evens, Aden (2005). Sound Ideas: Music, Machines, and Experience. University of Minnesota Press.
Franklin, Marianne (2005). Resounding International Relations : On Music, Culture and Politics. Palgrave Macmillan.
Gasenzer, Elena Romana (2009). Musik liegt im Gehirn: Neurologie und Medizin des Musizierens. Tectum.
Gilbertson, Simon & Aldridge, David (2008). Music Therapy and Traumatic Brain Injury. Jessica Kingsley Publishers.
Goodman, S. (2009). Sonic Warfare. Sound, affect, and the Ecology of Fear. MIT Press.
Grabocz, Marta (2009). Musique, narrativité, signification. L'Harmattan.
Grant, M.J. & Whittall, Arnold (2005). Serial Music, Serial Aesthetics: Compositional Theory in Post-war Europe. [Music in the Twentieth Century]. Cambridge University Press.
Gratier, Maya & Imberty, Michel (forthcoming). Temps, Geste et Musicalité. Editions L’Harmattan.
Green, A. (ed.) (2000). Musique et sociologie: Enjeux méthodologiques et approches empiriques. Paris: L'Harmattan.
Green, Anne-Marie (2006). De la musique en sociologie. Editions L’Harmattan.
Greene, David B. (forthcoming). Music in search of itself (Essays on music about music). [Studies in the history and interpretation of music]. Edwin Mellen Press. (2)
Gritten, Anthony & King, Elaine (2006). Music and Gesture. Ashgate Publishing.
Gruhn, Wilfried (2005). Der Musikverstand. Olms.
Guillaume, Philippe (2005). Musique et acoustique: De l’instrument à l’ordinateur. Hermes Science Publications.
Guillaume, Philippe (2006). Music and Acoustics: From Instrument to Computer. ISTE Publishing Company.
Haas, R. & Brandes, V. (eds.) (2008). Music that works: Biology, Neurophysiology, Psychology, Sociology, Medicine, and Musicology. Springer.
Haas, R. & Brandes, V. (eds.) (2009). Music that works: Contributions of biology, neurophysiology, psychology, sociology, medicine and musicology. Springer.
Hallam, S., Cross, I. & Thaut, M. (eds.) (2009). Oxford Handbook of Music Psychology. Oxford University Press.
Hamilton, Andy (2007). Aesthetics and Music. Continuum International Publishing Group.
Hamilton, Andy (2007). Aesthetics and Music. Continuum International Publishing Group.
Harkleroad, Leon (forthcoming). Mathematical Themes and Variations. Exploring Mathematics in Music. Cambridge University Press.
Hatten, Robert S. (forthcoming). Interpreting Musical Gestures, Topics and Tropes. Indiana University Press.
Hautbois, Xavier (2006). L’Unité De L’Oeuvre Musicale. Recherche d’une esthétique comparée avec les sciences physiques. Editions L’Harmattan.
Heinel, Norbert (2007). Philosophie des Musikalischen Kunstwerks. Praesens Verlag.
Herr, Corinna & Woitas, Monika (eds.) (2006). Musik mit Methode: Neue Kulturwissenschaftliche Perspektiven. Böhlau.
Hesse, H.-P. (2003). Musik und Emotion: Wissenschaftliche Grundlagen des Musik-Erlebens. Wien: Springer.
Hirst, David (2008). A Cogntive Framework for the Analysis of Acousmatic Music. VDM Verlag.
Holsinger, B.W. (2001). Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer. Stanford University Press.
Huron, David (2005). Sweet Anticipation. Music and the Psychology of Anticipation. MIT Press.
Ilnitchi, Gabriela (2005). The Play of Meanings : Aribo's De musica and the Hermeneutics of Musical Thought. Scarecrow Press.
Imberty, M. (ed.) (2001). De l'ecoute à l'oeuvre, études interdisciplinaires. [Sciences de l'education nationale]. Paris: L'Harmattan.
Imberty, Michel (2005). La musique creuse le temps. De Wagner à Boulez : Musique, Psychologie, Psychanalyse. Editions L’Harmattan.
Jan, Steven (2007). The Memetics of Music. Ashgate Publishing.
Jan, Steven (2007). The Memetics of Music: A Neo-darwinian View of Musical Structure and Culture. Ashgate.
Jourdain, R. (2001). Das wohltemperierte Gehirn: Wie Musik im Kopf entsteht und wirkt. Spektrum Verlag.
Juslin, P.L. & Sloboda J.A. (2001). Music and Emotion: Theory and Research. Oxford University Press.
Jäncke, Lutz (2008). Macht Musik schlau? Neue Erkenntnisse aus Neurowissenschaften und der kognitiven Psyhcologie. Verlag Hans Huber.
Kassler, J.C. (2002). Music, Science, Philosophy: Models in the Universe of Thought. Ashgate publishing company.
Katz, R. & Hacohen, R. (2002). Tuning the Mind: Connecting Aesthetics to Cognitive Science. Transaction Pub.
Keller, Hans (2005). Essays on Music. Cambridge University Press.
Kelly, Caleb (2009). Cracked Media. The Sound of Malfunction. MIT Press.
Kerer, Manuela (2008). Musik im erkrankten Gehirn. VDM Verlag.
Kittler, Friedrich (2005). Musik und Mathematik. Wilhelm Fink Verlag.
Kivy, P. (2001). The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius. Yale University Press.
Kivy, Peter (2007). Music, Language, and Cognition: And other essays in the Aesthetics of Music. Oxford University Press.
Klein, Michael L. (forthcoming). Intertextuality in Western Art Music. Indiana University Press.
Klein, R., Kiem, E. & Ette, W. (2001). Musik in der Zeit. Göttingen: Velbrück Wissenschaft.
Korsyn, K.E. (2003). Decentering Music: a Critique of Contemporary Musical Research. Oxford university press.
Korta, K. & Larrazabal, J.M. (eds.) (2004). Truth, Rationality, Cognition and Music: Proceedings of the Sevent International Colloquium on Cognitive Science. Kluwer Academic Publishers.
Kramer, Lawrence (2001). Musical Meaning: Toward a critical history. University of California Press.
Kramer, Lawrence (2007). Why Classical Music Still Matters. University of California Press.
Kramer, Lawrence (2007). Why Classical Music Still Matters. University of California Press.
Kremer, Joseph-François (2006). Les formes symboliques de la musiques. Editions L’Harmattan.
Krims, Adam (2007). Music and Urban Geography. Routledge.
Kuhl, Ole (2008). Musical Semantics. Peter Lang Publishing.
Kühl, O. (2003). Improvisation og tanke. Basilisk.
Lacchè, Mara (2006). L’imaginaire musical entre création et inteprétation. Editions L’Harmattan.
Landau, Annette & Emmenegger, Claudia (2005). Musik und Raum. Chronos Verlag.
Landy, Lei (2007). Understanding the Art of Sound Organization. MIT Press.
Landy, Leigh (2007). Understanding the Art of Sound Organization. MIT Press.
Lee, Colin (2004). The Architecture of Aesthetic Music Therapy. Barcelona Publishers.
Lehmann, Andreas C., Sloboda, John A. & Woody, Robert H. (forthcomming). Psychology for Musicians: Understanding and Acquiring the Skills. Oxford University Press.
Leman, Marc (2007). Embodied Music Cognition and Meditation Technology. MIT Press.
Leman, Marc (2007). Embodied Music Cognition and Mediation Technology. MIT Press.
Leppert, Richard (2007). Sound Judgement: Selected Essays. Ashgate Publishing.
Levinson, Jerrold (2005 new ed.). The Oxford Handbook of Aesthetics. Oxford University Press.
Levinson, Jerrold (2006). Contemplating Art. Oxford University Press.
Levitin, Daniel J. (2006). This is your Brain on Music: The Sicence of a Human Obsession. Dutton Adult.
Lidov, David (forthcoming). Is Music a Language: Writings on Musical Form and Signification. Indiana University Press.
London, Justin (2004). Hearing in Time. Psychological Aspects of Musical Meter. Oxford University Press.
Lowe, Melanie (forthcomming). Pleasure and Meaning in the Classical Symphony. Indiana University Press.
Loy, Gareth (2006). Musimathics. The Mathematical Foundations of Music, Vol. 1. MIT Press.
Loy, Gareth (2006). Musimathics: The Mathematical Foundations of Music, vol.2. MIT Press.
Mâche, F. (2001). Musique au singulier. Odile Jakob.
Mahnkopf, Claus-Steffen (2006). Kritische Theorie der Musik. Velbrück.
Mahnkopf, Claus-Steffen (2007). Die Humanität der Musik: Essays aus dem 21. Jahrhundert. Wolke Verlag.
Malhomme, F. (ed.) (2002). Musica rhetoricans. Presses de l'Université de Paris-Sorbonne.
Malloch, Stephen & Trevarthen, Colwyn (eds) (2009). Communicative Musicality: Exploring the basis of human companionship. Oxford University Press.
Marschner, B. (2002). Zwischen Einfühlung und Abstraktion. Århus: Aarhus University Press.
Mazzola, G.B., Cherlin, P.B., Rissi, M. & Kennedy, N. (2009). Flow, Gesture, and Spaces in Free Jazz: Towards a Theory of Collaborations. Springer.
Mazzola, Guerino & Cherlin, Paul (2009). Flow, Gesture, and Spaces in Free Jazz: Towards a Theory of Collaboration. Springer.
McClary, Susan (2007). Reading Music: Selected Essays. Ashgate Publishing.
McPherson, Gary (forthcomming). The Child as Musician: A Handbook of Musical Development. Oxford University Press.
Middleton, Richard (2006). Voicing the Popular: On the Subjects of Popular Music. Routledge.
Miell, Dorothy, Macdonald, Raymond & Hargreaves, David J. (eds.) (2005). Musical Communication. Oxford University Press.
Miranda, Eduardo R. & Biles, John A (eds.) (2007). Evolutionary Computer Music. Springer.
Mithen, Steven (forthcoming). The Singing Neanderthal. Orion.
Mohr, G. & Kreuzer, J. (eds.) (forthcomming). Vom Sinn des Hörens: Zur Philosophie der Musik. Königshausen & Neumann.
Mohr, Georg & Kreuzer, Johann (2007). Vom Sinn des Hörens: Zur Philosophie der Musik. Königshausen & Neumann.
Monelle, Raymond (2006). The Musical Topic: Hunt, Military and Pastoral. Indiana University Press.
Moorefield, Virgil (2005). The Producer as Composer: Shaping the Sounds of Popular Music. MIT Press.
Moreno, Jairo (forthcoming). Musical Representations, Subjects and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber. Indiana University Press.
Nattiez, Jean-Jacques & Dunsby, Jonathan (2004). The Battle of Chronos and Orpheus. Essays in Applied Musical Semiology. Oxford University Press.
Nettelbeck, Colin (2005). Dancing with de Beauvoir : Jazz and the French. Melbourne University Press.
Neuhoff, John G. (ed.) (2004). Ecological Psychoacoustics. Wooster: Academic Press.
North, A. & Hargreaves, D. (eds.) (2008). The Social and Applied Psychology of Music. Oxford University Press.
Nussbaum, Charles O. (forthcoming). The Musical Representation: Meaning, Ontology, and Emotion. MIT Press.
Nussbaum, Charles O. (2007). The Musical Representation: Meaning, Ontology, and Emotion. MIT Press.
Nuti, Gianni (2006). Le corps qui pense. Etude sur les tensions musculaires non fonctionelles chez l’intreprète musical. Editions L’Harmattan.
Ockelford, Adam (2005). Repetition in Music: Theoretical and Metatheoretical Perspectives. Ashgate Publishing.
Olive, J.-P., Kogler, S., Déotte, J.-L. & Chouvel, J.-M. (2003). Musique et mémoire: Actes des journées d'études, Université Paris 8, 29-30 novembre 2001. L'Harmattan.
Olive, Jean-Paul (2005). Expérience et fragment dans l’esthétique musicale d’Adorno. Editions L’Harmattan.
Ouvry-Vial, B. Recherche et creation.
Pasler, Jann (forthcoming). Writing through Music: A Collection of Essays on Music and Culture. Oxford University Press.
Patel, Aniruddh D. (2007). Music, Language, and the Brain. Oxford University Press.
Peretz, I. & Zatorre, R.J. (eds.) (2003). The Cognitive Neuroscience of Music. Oxford: Oxford University Press.
Perkovic, I. & Stojanovic-Novicic, D. (eds.) (2002). Muzika kroz misao. Beograd: Fakultet Muzicke Umetnosti.
Perret, Daniel (2005). Roots of Musicality: Music Therapy and Personal Development. Jessica Kingsley Publishers.
Pierce, Alexandra (forthcoming). Deepening Musical Performance through Movement: Theory and Practice of Embodied Interpretation. Indiana University Press.
Pineau, M. & Tillmann, B. (2001). Percevoir la musique: une activité cognitive. L'Harmattan.
Pople, Anthony (ed.) (2004). Theory, Analysis and Meaning in Music. Cambridge University Press.
Pratt, Carroll C. (2007). The Meaning of Music: A Study in Psychological Aesthetics. Kessinger Publishing.
Prieto, E. (2003). Listening in: Music, Mind, and the Modernist Narrative. University of Nebraska Press.
Rangell, L. (2009). Music in the head: Living at the brain-mind border. Karnac Books.
Reily, Suzel Ana (ed.) (2007). The Musical Human: Rethinking John Blacking’s Ethnomusicology in the Twenty-first Century. Ashgate Publishing.
Rihm, Wolfgang (2002). Offene Enden. Hanser Belletristik.
Robineau, Anne & Fournier, Marcel (2006). Musique, enjeux sociaux et défis méthodologiques. Editions L’Harmattan.
Robinson, Jenefer (forthcoming). Deeper Than Reason: Emotion and its Role in Literature, Music and Art. Oxford University Press.
Robinson, Jenefer (2005). Deeper than reason. Emotion and its Role in Literature, Music, and Art. Oxford University Press.
Roederer, J.G. (1999). Physikalische und psychoakustische Grundlagen der Musik. Springer Verlag.
Rothenberg, D. & Ulvaeus, M. (2001). The Book of Music and Nature: An Anthology of Sounds, Words, Thoughts. Wesleyan University Press.
Sacks, Oliver (2007). Musicophilia: Tales of Music and the Brain. Knopf.
Samuels, Robert & Correa, Delia Da Sousa (eds.) (2005). Phrase and Subject: Studies in Music and Literature. Legenda.
Sangild, T. (2003). Støjens Æstetik. Copenhagen: Multivers. (1)
Sangild, T. (2004). Objektiv Sensibilitet. Copenhagen: available on-line.
Schneck, Daniel J. (ed.) (2005). The Music Effect: Music Physiology and Clinical Applications. Jessica Kingsley Publishers.
Schönberger, Jörg (2006). Musik und Emotionen. Grundlagen, Forschung, Diskussion. Vdm Verlag Dr. Müller.
Scruton, Roger (2009). Understanding Music. Philosophy and Interpretation. Continuum.
Sethares, William A. (2005). Tuning, Timbre, Spectrum, Scale. Springer.
Sethares, William A. (2007). Rhythm and Transforms. Springer.
Sève, B. (2002). L'Altération ou ce que la musique apprend au philosophe. Seuil.
Sloboda, John (2004). Exploring the Musical Mind. Oxford University Press.
Smeijsters, Henk (2005). Sounding the Self: Analogy in Improvisational Music Therapy. Barcelona Publishers.
Smith, Peter H. (2005). Expressive Forms in Brahms’s Instrumental Music. Indiana University Press.
Snyder, Bob (2001). Music and Memory: An Introduction. MIT Press.
Solomos, S., Soulez, A. & Vaggione, H. Formel Informel: musique philosophie. L'Harmattan.
Spampinato, Francesco (2008). Les Métamorphoses du Son. Matérialité de l'Ecoute Musicale. L'Harmattan.
Spitzer, M. (2003). Musik im Kopf. Stuttgart: Schattauer Verlag.
Spitzer, Michael (2004). Metaphor and Musical Thought. University of Chicago Press.
Spitzer, Michael (2006). Music as Philosophy: Adorno and Beethoven’s Late Style. Indiana University Press.
Steinberg, Michael P. (2004). Listening to Reason: Culture, Subjectivity and Nineteenth-century Music. Princeton University Press.
Sterne, Jonathan (2003). The Audible Past: Cultural Origins of Sound Reproductions. Duke University Press.
Stevens, C., Burnham, D., McPherson, G., Schubert, E. & Renwick, J.M. (eds.) (2002). Proceedings of the 7th International Conference on Music Perception and Cognition. Adelaide: Causal Productions.
Stock, Kathleen (ed.) (forthcoming). Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Stock, Kathleen (2007). Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Stone, Ruth (2007). Theory for Ethnomusicology. Prentice Hall.
Styhre, Alexander (2008). Perception and Organization: Art, Music, Media. Palgrave Macmillan.
Szendy, P. (2002). Membres fantômes: Des corps musiciens. Editions de Minuit.
Szendy, P. (ed.) (2001). L'ecoute. [Les cahiers de l'Ircam]. Ircam.
Szwed, John F. (2005). Crossovers: Essays on Race, Music, and American Culture. University of Pennsylvania Press.
Tadday, Ulrich (ed.) (2007). Musikphilosophie. Edition text + kritik.
Tarasti, E. (2002). Signs of Music: A Guide to Musical Semiotics. Berlin: Mouton de Gruyter Verlag.
Tarasti, Eero (2006). La musique et les signes. Précis de sémiotique musicale. Editions L’Harmattan.
Taylor, T.D. (2001). Strange Sounds: Music, Technology and Culture. Routledge.
Temperley, David (2007). Music and Probability. MIT Press.
Tenzer, M. (2000). Gamelan Gong Kebyar : The Art of Twentieth-Century Balinese Music. [Chicago Studies in Ethnomusicology]. University of Chicago Press.
Thaut, Michael H. (2005). Rhythm, Music, and the Brain: Scientific Foundations and Clinical Applications. Routledge.
Thompson, William Forde (forthcomming). Music, Thought, and Feeling: The Psychology of Music. Oxford University Press.
Tomlinson, Gary (2007). The Singing of the New World. Cambridge University Press.
Tomlinson, Gary (2007). Music and Historical Critique. Ashgate.
Turner, Mark (ed.) (2006). The Artful Mind: Cognitive Science and the Riddle of Human Creativity. Oxford University Press.
Vichinsky, Elliot P. & Avanzini, Giuliano (eds.) (2006). Neurosciences and Music II: From Perception to Performance (Cooley’s Anemia Symposium 2005). Annals of the New York Academy of Sciences.
Vinet, H. & Delalande, F. (2000). Interfaces homme-machine et création musicale. Hermes Sciences Publications.
Vitouch, O., Deliège, I. & Ladinig, O. (eds.) (2009). Musique et Évolution. Editions Mardaga.
Wallin, N.L., Merker, B. & Brown Steven (1999). The Origins of Music. Cambridge, MA: MIT Press.
Washburne, C. & Dernø, M. (eds.) (2004). Bad Music. Routledge.
White, H. & Murphy, M. (eds.) (2001). Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture 1800-1945. Cork University Press.
Wiil, Uffe Kock (ed.) (2005). Computer Music Modelling and Retrieval: Second International Symposion, CMNR 2004, Revised Papers (Lecture Notes in Computer Science). Springer.
Ystad, S., Kronland-Martinet, R. & Jensen, K. (eds.) (2008). Computer Music Modeling and Retrieval. genesis of Meaning in Sound and Music: 5th International Symposium Proceedings. Springer.
Zatorre, R.J. & Peretz, I. (eds.) (2001). The Biological Foundations of Music. New York: New York Academy of Sciences.
Zbikowski, L. (2002). Conceptualizing Music: Cognitive Structure, Theory and Analysis. [Ams studies in music series]. Oxford university press.
Papers
Carr, David (2004). Music, meaning and emotion. Journal of Aesthetics and Art Criticism 62 (3), 225-234.
Donin, E. & Goldman, J. (eds.) (2003). Qui écoute? 1-2. Circuit: Musiques contemporaines 13, 2 - 14, 1.
Elschek, O. (2002). Die Beziehung zwishen Musikphilosophie und Musikästhetik. Musicologica Istropolitana 1, 11-24.
Hauser, Marc D. & McDermott, Josh (2003). The evolution of the music faculty: a comparative perspective. Nature Neuroscience 6, 663-668.
Hyde, K. L. & Peretz, I. (2004). Brains that are Out of Tune but in Time. Psychological Science 15 (5), 356-360.
Iyer, Vijay (2002). Embodied mind, situated cognition, and expressive microtiming in African-American music. Music perception: An interdisciplinary journal 19 (3), 387-414.
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