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JMM: The Journal of Music and Meaning

RECENT PUBLICATIONS
in the Area of Music-and-Meaning Studies — All JMM Issues

Books

Accaoui, C. (2001). Le temps musical. Paris: Desclée de Brouwer. [comment]
Aldridge, D. & Fachner, J. (eds.) (2009). Music and Altered States: Consciousness, Transcendence, Therapy and Addictions. Jessica Kingsley. [comment]
Aldridge, David (ed.) (2005). Music Therapy And Neurological Rehabilitation: Performing Health. Jessica Kingsley Publishers. [comment]
Aldridge, Gudrun & Aldridge, David (2008). Melody in Music Therapy: A Therapeutic Narrative Analysis. Jessica Kingsley Publishers. [comment]
Almén, Byron & Pearsall, Edward (2006). Approaches to Meaning in Music. Indiana University Press. [comment]
Altenmüller, Eckart, Wiesendanger, Mario & Kesselring, Jurg (eds.) (2006). Music, Motor Control, and the Brain. Oxford University Press. [comment]
Altenmüller, Eckart (2009). Vom Neandertal in die Philharmonie: Gehirn, Musik und Evolution. Spektrum Akademischer Verlag. [comment]
Andre, Naomi Adele (2006). Voicing Gender: Castrati, Travesti, And the Second Woman in Early Nineteenth-Century Italian Opera. Indiana University Press. [comment]
Arbo, Alessandro (forthcoming). Perspectives de l’esthétique musicale: Entre théorie et histoire. Editions L’Harmattan. [comment]
Arom, S. & Alvarez-Péreyre, F. (2007). Précis d’ethnomusicologie. CNRS Editions. [comment]
Attali, J. (2001). Bruits. Fayard. [comment](1)
Ayari, M. (2003). L'ecoute des musiciens arabes improvisée: Essai de psychologie cognitive de l'audition. Paris: L'Harmattan. [comment](2)
Ayrey, Craig (ed.) (2004). Analytical Strategies and Musical Interpretation. Essays on Nineteenth and Twetieth-Century Music. Cambridge University Press. [comment]
Baltazar, Marie (ed.) (2006). Terrains de la musique. Editions L’Harmattan. [comment]
Barrow, John D. (2005 new ed.). The Artful Universe Expanded. Oxford University Press. [comment]
Bartel, D. (2002). Musica Poetica: Musical-Rhetorical Figures in German Baroque Music. University of Nebraska Press. [comment]
Bartlett, Rosamund & Bullock, Philip (2004). Russian Musical Identity. Legenda. [comment]
Beaman, J. (2003). How we hear music. Woodbridge, Rochester: Boydell Press. [comment]
Beauchamp, James W. (2007). Analysis, Synthesis, and Perception of Musical Sounds. Springer. [comment]
Becker, A. & Vogel, M. (eds.) (2007). Musikalischer Sinn: Beiträge zu einer Philosophie der Musik. Suhrkamp. [comment]
Becker, Alexander & Vogel, Matthias (eds.) (2007). Musikalischer Sinn: Beiträge zu einer Philosophie der Musik. Suhrkamp. [comment]
Benson, Dave (2007). Music: A Mathematical Offering. Cambridge University Press. [comment]
Beran, J. (2003). Statistics in Musicology. CRC Press. [comment]
Berger, Karol & Newcomb, Anthony (2005). Music and the Aesthetics of Modernity: Essays. [Havard Publications in Music]. Havard University Press. [comment]
Bicknell, Jeanette (2009). Why Music Moves Us. Palgrave Macmillan. [comment]
Biddle, Ian & Knight, Vanessa (eds.) (2007). Music, National Identity, and the Politics of Location. Ashgate Publishing. [comment]
Bielefeldt, Christian, Dahmen, Udo & Grossmann, Rolf (eds.) (2007). PopMusicology: Perspektiven der Popmusikwissenschaft. Transcript. [comment]
Birdsall, Carolyn & Enns, Anthony (2008). Sonic Mediations: Body, Sound, Technology. Cambridge Scholars Publishing. [comment]
Blasius, Leslie David (2006). Schenker’s Argument and the Claims of Music Theory. Cambridge University Press. [comment]
Blesser, B. & Salter, L. R. (2009). Spaces Speak, Are You Listening?. MIT Press. [comment]
Blesser, Barry & Salter, Linda-Ruth (2006). Spaces Speak: Are You Listening: Experiencing Aural Architecture. MIT Press. [comment]
Bowie, Andrew (forthcoming). Music, Philosophy, and Modernity. Cambridge University Press. [comment]
Bowie, Andrew (2007). Music, Philsophy, and Modernity. Cambridge University Press. [comment]
Boykan, M. (2004). Silence and Slow Time: Studies in Musical Narrative. Scarecrow Press. [comment]
Braun, H.-J. (2002). Music and Technology in the Twentieth Century. John Hopkins University Press. [comment]
Brown, Steven & Volgsten, Ulrik (eds.) (2006). Music and Manipulation: On the Social Uses and Social Control of Music. Berghahn Books. [comment]
Bruhn, Herbert <i>et. al.</i> (eds.) (2005). Musikpsychologie. Rowohlt Tb. [comment]
Bruno, De Florence (2008). Musique Semiotique et Pulsion. L'Harmattan. [comment]
Bull, Michael & Back, Les (eds.) (2003). The Auditory Culture Reader. Berg Publishers. [comment]
Campen, Cretien van (forthcoming). The Hidden Sense: Synaesthesia in Art and Science. MIT Press. [comment]
Chevallier, B. (2003). Le cerveau de Mozart. Odile Jakob. [comment]
Chew, E., Childs, A. & Chuan, C. (eds.) (2009). Mathematics and Computation in Music: Second International Conference Proceedings. Springer. [comment]
Chouard, C. (2001). L'Oreille musicienne : les chemins de la musique de l'oreille au cerveau. Gallimard. [comment]
Chouvel, J.-M. & Lévy F. (eds.) (2002). Observation, analyse, modèle: Peut-on parler d'art avec les outils de la science. [Les cahiers de l'Ircam]. L'Harmattan. [comment]
Chouvel, Jean-Marc (2006). Analyse Musicale: Sémiologie et cognition des formes temporelles. Editions L’Harmattan. [comment]
Chua, Daniel (1999). Absolute music and the construction of meaning. Cambridge University Press. [comment]
Chua, Daniel (2006). Absolute Music and the Construction of Meaning. Cambridge University Press. [comment]
Clake, E., Dibben, N. & Pitts, S. (2009). Music and mind in everyday life. Oxford University Press. [comment]
Clarke, Eric (2005). Ways of listening: An Ecological Approach to the Perception of Musical Meaning. Oxford University Press. [comment]
Clarke, Eric F. (2005). Ways Of Listening: An Ecological Approach To The Perception Of Musical Meaning. Oxford University Press. [comment]
Clayton, M., Herbert, T. & Middleton, R. (2003). The Cultural Study of Music. Routledge. [comment]
Cohen, Dalia & Katz, Ruth (2004). Palestinian Arab Music: A Maqam Tradition in Practice. University of Chicago Press. [comment]
Cohen-Levinas, Danielle (ed.) (2005). Musique et philosophie. Orfeo, no. 2. Editions L’Harmattan. [comment]
Collins, Paul (2005). The Stylus Phantasticus And Free Keyboard Music Of The North German Baroque. Ashgate Publishing. [comment]
Colwell, Richard (2006). MENC Handbook of Musical Cognition and Development. Oxford University Press. [comment]
Cook, Nicholas (forthcoming). The Schenker Project: Culture, Race, and Music Theory in Fin-de-Siècle Vienna. Oxford University Press. [comment]
Cook, Nicolas (2007). Music, Performance, Meaning. Ashgate. [comment]
Cope, David (2005). Computer Models of Musical Creativity. MIT Press. [comment]
Cox, Christoph & Warner, Daniel (eds.) (2004). Audio Culture: Readings in Modern Music. Continuum International Publishing Group. [comment]
Cumming, N. (2001). The Sonic Self: Musical Subjectivity and Signification. Indiana University Press. [comment]
Dalla Bella, S., Kraus, N., Overy, K., Pantev, C. & Snyder, J.S. et al. (2009). The Neurosciences and Music III: Disorders and Plasticity. Wiley-Blackwell. [comment]
Darbon, Nicolas (2006). Les Musiques du Chaos. Editions L’Harmattan. [comment]
Darbon, Nicolas (2007). Musica Multiplex: Dialogique du simple et du complexe en musique contemporaine. Editions L’Harmattan. [comment]
Davies, Stephen (2001). Musical works and performances: A Philosophical Exploration. Oxford University Press. [comment]
Davies, Stephen (2003). Themes in the Philosophy of Music. Oxford University Press. [comment]
Davies, Stephen (2004). Musical Works and Performances: A Philosophical Exploration. Oxford University Press. [comment]
Davis, Leith (2005). Music, Postcolonialism, and Gender: The Construction of Irish National Identity, 1725-1874. University of Notre Dame Press. [comment]
Davis, Ruth (2005). Malouf: Reflections on the Arab Andalusian Music of Tunisia. Scarecrow Press. [comment]
Dayan, Peter (2006). Music Writing Literature, from Sand via Debussy to Derrida. Ashgate Publishing. [comment]
Deliège, Irène & Wiggins, Geraint A. (eds.) (2005). Musical Creativity: Multidisciplinary Research in Theory And Practice. Psychology Press (UK). [comment]
Dell’Antonio, Andrew (ed.) (2004). Beyond Structural Listening: Postmodern Modes of Hearing. University of California Press. [comment]
Denizeau, Gérard (2003). Peindre la Musique. Paris: Acatos. [comment]
Deutsch, Diana (2003). Music and Brain: How we make sense of sound. Springer-Verlag Telos. [comment]
Dodd, Julian (2007). Works of Music: An Essay in Ontology. Oxford University Press. [comment]
Edgerton, Michael Edward (2005). The 21st Century Voice: Contemporary and Traditional Extra-Normal Voice. Scarecrow Press. [comment]
Emmerson, Simon (2007). Living Electronic Music. Ashgate Publishing. [comment]
Emmerson, Simon (2007). Living Electronic Music. Ashgate. [comment]
Evens, Aden (2005). Sound Ideas: Music, Machines, and Experience. University of Minnesota Press. [comment]
Franklin, Marianne (2005). Resounding International Relations : On Music, Culture and Politics. Palgrave Macmillan. [comment]
Gasenzer, Elena Romana (2009). Musik liegt im Gehirn: Neurologie und Medizin des Musizierens. Tectum. [comment]
Gilbertson, Simon & Aldridge, David (2008). Music Therapy and Traumatic Brain Injury. Jessica Kingsley Publishers. [comment]
Goodman, S. (2009). Sonic Warfare. Sound, affect, and the Ecology of Fear. MIT Press. [comment]
Grabocz, Marta (2009). Musique, narrativité, signification. L'Harmattan. [comment]
Grant, M.J. & Whittall, Arnold (2005). Serial Music, Serial Aesthetics: Compositional Theory in Post-war Europe. [Music in the Twentieth Century]. Cambridge University Press. [comment]
Gratier, Maya & Imberty, Michel (forthcoming). Temps, Geste et Musicalité. Editions L’Harmattan. [comment]
Green, A. (ed.) (2000). Musique et sociologie: Enjeux méthodologiques et approches empiriques. Paris: L'Harmattan. [comment]
Green, Anne-Marie (2006). De la musique en sociologie. Editions L’Harmattan. [comment]
Greene, David B. (forthcoming). Music in search of itself (Essays on music about music). [Studies in the history and interpretation of music]. Edwin Mellen Press. [comment](2)
Gritten, Anthony & King, Elaine (2006). Music and Gesture. Ashgate Publishing. [comment]
Gruhn, Wilfried (2005). Der Musikverstand. Olms. [comment]
Guillaume, Philippe (2005). Musique et acoustique: De l’instrument à l’ordinateur. Hermes Science Publications. [comment]
Guillaume, Philippe (2006). Music and Acoustics: From Instrument to Computer. ISTE Publishing Company. [comment]
Haas, R. & Brandes, V. (eds.) (2008). Music that works: Biology, Neurophysiology, Psychology, Sociology, Medicine, and Musicology. Springer. [comment]
Haas, R. & Brandes, V. (eds.) (2009). Music that works: Contributions of biology, neurophysiology, psychology, sociology, medicine and musicology. Springer. [comment]
Hallam, S., Cross, I. & Thaut, M. (eds.) (2009). Oxford Handbook of Music Psychology. Oxford University Press. [comment]
Hamilton, Andy (2007). Aesthetics and Music. Continuum International Publishing Group. [comment]
Hamilton, Andy (2007). Aesthetics and Music. Continuum International Publishing Group. [comment]
Harkleroad, Leon (forthcoming). Mathematical Themes and Variations. Exploring Mathematics in Music. Cambridge University Press. [comment]
Hatten, Robert S. (forthcoming). Interpreting Musical Gestures, Topics and Tropes. Indiana University Press. [comment]
Hautbois, Xavier (2006). L’Unité De L’Oeuvre Musicale. Recherche d’une esthétique comparée avec les sciences physiques. Editions L’Harmattan. [comment]
Heinel, Norbert (2007). Philosophie des Musikalischen Kunstwerks. Praesens Verlag. [comment]
Herr, Corinna & Woitas, Monika (eds.) (2006). Musik mit Methode: Neue Kulturwissenschaftliche Perspektiven. Böhlau. [comment]
Hesse, H.-P. (2003). Musik und Emotion: Wissenschaftliche Grundlagen des Musik-Erlebens. Wien: Springer. [comment]
Hirst, David (2008). A Cogntive Framework for the Analysis of Acousmatic Music. VDM Verlag. [comment]
Holsinger, B.W. (2001). Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer. Stanford University Press. [comment]
Huron, David (2005). Sweet Anticipation. Music and the Psychology of Anticipation. MIT Press. [comment]
Ilnitchi, Gabriela (2005). The Play of Meanings : Aribo's De musica and the Hermeneutics of Musical Thought. Scarecrow Press. [comment]
Imberty, M. (ed.) (2001). De l'ecoute à l'oeuvre, études interdisciplinaires. [Sciences de l'education nationale]. Paris: L'Harmattan. [comment]
Imberty, Michel (2005). La musique creuse le temps. De Wagner à Boulez : Musique, Psychologie, Psychanalyse. Editions L’Harmattan. [comment]
Jan, Steven (2007). The Memetics of Music. Ashgate Publishing. [comment]
Jan, Steven (2007). The Memetics of Music: A Neo-darwinian View of Musical Structure and Culture. Ashgate. [comment]
Jourdain, R. (2001). Das wohltemperierte Gehirn: Wie Musik im Kopf entsteht und wirkt. Spektrum Verlag. [comment]
Juslin, P.L. & Sloboda J.A. (2001). Music and Emotion: Theory and Research. Oxford University Press. [comment]
Jäncke, Lutz (2008). Macht Musik schlau? Neue Erkenntnisse aus Neurowissenschaften und der kognitiven Psyhcologie. Verlag Hans Huber. [comment]
Kassler, J.C. (2002). Music, Science, Philosophy: Models in the Universe of Thought. Ashgate publishing company. [comment]
Katz, R. & Hacohen, R. (2002). Tuning the Mind: Connecting Aesthetics to Cognitive Science. Transaction Pub. [comment]
Keller, Hans (2005). Essays on Music. Cambridge University Press. [comment]
Kelly, Caleb (2009). Cracked Media. The Sound of Malfunction. MIT Press. [comment]
Kerer, Manuela (2008). Musik im erkrankten Gehirn. VDM Verlag. [comment]
Kittler, Friedrich (2005). Musik und Mathematik. Wilhelm Fink Verlag. [comment]
Kivy, P. (2001). The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius. Yale University Press. [comment]
Kivy, Peter (2007). Music, Language, and Cognition: And other essays in the Aesthetics of Music. Oxford University Press. [comment]
Klein, Michael L. (forthcoming). Intertextuality in Western Art Music. Indiana University Press. [comment]
Klein, R., Kiem, E. & Ette, W. (2001). Musik in der Zeit. Göttingen: Velbrück Wissenschaft. [comment]
Korsyn, K.E. (2003). Decentering Music: a Critique of Contemporary Musical Research. Oxford university press. [comment]
Korta, K. & Larrazabal, J.M. (eds.) (2004). Truth, Rationality, Cognition and Music: Proceedings of the Sevent International Colloquium on Cognitive Science. Kluwer Academic Publishers. [comment]
Kramer, Lawrence (2001). Musical Meaning: Toward a critical history. University of California Press. [comment]
Kramer, Lawrence (2007). Why Classical Music Still Matters. University of California Press. [comment]
Kramer, Lawrence (2007). Why Classical Music Still Matters. University of California Press. [comment]
Kremer, Joseph-François (2006). Les formes symboliques de la musiques. Editions L’Harmattan. [comment]
Krims, Adam (2007). Music and Urban Geography. Routledge. [comment]
Kuhl, Ole (2008). Musical Semantics. Peter Lang Publishing. [comment]
Kühl, O. (2003). Improvisation og tanke. Basilisk. [comment]
Lacchè, Mara (2006). L’imaginaire musical entre création et inteprétation. Editions L’Harmattan. [comment]
Landau, Annette & Emmenegger, Claudia (2005). Musik und Raum. Chronos Verlag. [comment]
Landy, Lei (2007). Understanding the Art of Sound Organization. MIT Press. [comment]
Landy, Leigh (2007). Understanding the Art of Sound Organization. MIT Press. [comment]
Lee, Colin (2004). The Architecture of Aesthetic Music Therapy. Barcelona Publishers. [comment]
Lehmann, Andreas C., Sloboda, John A. & Woody, Robert H. (forthcomming). Psychology for Musicians: Understanding and Acquiring the Skills. Oxford University Press. [comment]
Leman, Marc (2007). Embodied Music Cognition and Meditation Technology. MIT Press. [comment]
Leman, Marc (2007). Embodied Music Cognition and Mediation Technology. MIT Press. [comment]
Leppert, Richard (2007). Sound Judgement: Selected Essays. Ashgate Publishing. [comment]
Levinson, Jerrold (2005 new ed.). The Oxford Handbook of Aesthetics. Oxford University Press. [comment]
Levinson, Jerrold (2006). Contemplating Art. Oxford University Press. [comment]
Levitin, Daniel J. (2006). This is your Brain on Music: The Sicence of a Human Obsession. Dutton Adult. [comment]
Lidov, David (forthcoming). Is Music a Language: Writings on Musical Form and Signification. Indiana University Press. [comment]
London, Justin (2004). Hearing in Time. Psychological Aspects of Musical Meter. Oxford University Press. [comment]
Lowe, Melanie (forthcomming). Pleasure and Meaning in the Classical Symphony. Indiana University Press. [comment]
Loy, Gareth (2006). Musimathics. The Mathematical Foundations of Music, Vol. 1. MIT Press. [comment]
Loy, Gareth (2006). Musimathics: The Mathematical Foundations of Music, vol.2. MIT Press. [comment]
Mâche, F. (2001). Musique au singulier. Odile Jakob. [comment]
Mahnkopf, Claus-Steffen (2006). Kritische Theorie der Musik. Velbrück. [comment]
Mahnkopf, Claus-Steffen (2007). Die Humanität der Musik: Essays aus dem 21. Jahrhundert. Wolke Verlag. [comment]
Malhomme, F. (ed.) (2002). Musica rhetoricans. Presses de l'Université de Paris-Sorbonne. [comment]
Malloch, Stephen & Trevarthen, Colwyn (eds) (2009). Communicative Musicality: Exploring the basis of human companionship. Oxford University Press. [comment]
Marschner, B. (2002). Zwischen Einfühlung und Abstraktion. Århus: Aarhus University Press. [comment]
Mazzola, G.B., Cherlin, P.B., Rissi, M. & Kennedy, N. (2009). Flow, Gesture, and Spaces in Free Jazz: Towards a Theory of Collaborations. Springer. [comment]
Mazzola, Guerino & Cherlin, Paul (2009). Flow, Gesture, and Spaces in Free Jazz: Towards a Theory of Collaboration. Springer. [comment]
McClary, Susan (2007). Reading Music: Selected Essays. Ashgate Publishing. [comment]
McPherson, Gary (forthcomming). The Child as Musician: A Handbook of Musical Development. Oxford University Press. [comment]
Middleton, Richard (2006). Voicing the Popular: On the Subjects of Popular Music. Routledge. [comment]
Miell, Dorothy, Macdonald, Raymond & Hargreaves, David J. (eds.) (2005). Musical Communication. Oxford University Press. [comment]
Miranda, Eduardo R. & Biles, John A (eds.) (2007). Evolutionary Computer Music. Springer. [comment]
Mithen, Steven (forthcoming). The Singing Neanderthal. Orion. [comment]
Mohr, G. & Kreuzer, J. (eds.) (forthcomming). Vom Sinn des Hörens: Zur Philosophie der Musik. Königshausen & Neumann. [comment]
Mohr, Georg & Kreuzer, Johann (2007). Vom Sinn des Hörens: Zur Philosophie der Musik. Königshausen & Neumann. [comment]
Monelle, Raymond (2006). The Musical Topic: Hunt, Military and Pastoral. Indiana University Press. [comment]
Moorefield, Virgil (2005). The Producer as Composer: Shaping the Sounds of Popular Music. MIT Press. [comment]
Moreno, Jairo (forthcoming). Musical Representations, Subjects and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber. Indiana University Press. [comment]
Nattiez, Jean-Jacques & Dunsby, Jonathan (2004). The Battle of Chronos and Orpheus. Essays in Applied Musical Semiology. Oxford University Press. [comment]
Nettelbeck, Colin (2005). Dancing with de Beauvoir : Jazz and the French. Melbourne University Press. [comment]
Neuhoff, John G. (ed.) (2004). Ecological Psychoacoustics. Wooster: Academic Press. [comment]
North, A. & Hargreaves, D. (eds.) (2008). The Social and Applied Psychology of Music. Oxford University Press. [comment]
Nussbaum, Charles O. (forthcoming). The Musical Representation: Meaning, Ontology, and Emotion. MIT Press. [comment]
Nussbaum, Charles O. (2007). The Musical Representation: Meaning, Ontology, and Emotion. MIT Press. [comment]
Nuti, Gianni (2006). Le corps qui pense. Etude sur les tensions musculaires non fonctionelles chez l’intreprète musical. Editions L’Harmattan. [comment]
Ockelford, Adam (2005). Repetition in Music: Theoretical and Metatheoretical Perspectives. Ashgate Publishing. [comment]
Olive, J.-P., Kogler, S., Déotte, J.-L. & Chouvel, J.-M. (2003). Musique et mémoire: Actes des journées d'études, Université Paris 8, 29-30 novembre 2001. L'Harmattan. [comment]
Olive, Jean-Paul (2005). Expérience et fragment dans l’esthétique musicale d’Adorno. Editions L’Harmattan. [comment]
Ouvry-Vial, B. Recherche et creation. [comment]
Pasler, Jann (forthcoming). Writing through Music: A Collection of Essays on Music and Culture. Oxford University Press. [comment]
Patel, Aniruddh D. (2007). Music, Language, and the Brain. Oxford University Press. [comment]
Peretz, I. & Zatorre, R.J. (eds.) (2003). The Cognitive Neuroscience of Music. Oxford: Oxford University Press. [comment]
Perkovic, I. & Stojanovic-Novicic, D. (eds.) (2002). Muzika kroz misao. Beograd: Fakultet Muzicke Umetnosti. [comment]
Perret, Daniel (2005). Roots of Musicality: Music Therapy and Personal Development. Jessica Kingsley Publishers. [comment]
Pierce, Alexandra (forthcoming). Deepening Musical Performance through Movement: Theory and Practice of Embodied Interpretation. Indiana University Press. [comment]
Pineau, M. & Tillmann, B. (2001). Percevoir la musique: une activité cognitive. L'Harmattan. [comment]
Pople, Anthony (ed.) (2004). Theory, Analysis and Meaning in Music. Cambridge University Press. [comment]
Pratt, Carroll C. (2007). The Meaning of Music: A Study in Psychological Aesthetics. Kessinger Publishing. [comment]
Prieto, E. (2003). Listening in: Music, Mind, and the Modernist Narrative. University of Nebraska Press. [comment]
Rangell, L. (2009). Music in the head: Living at the brain-mind border. Karnac Books. [comment]
Reily, Suzel Ana (ed.) (2007). The Musical Human: Rethinking John Blacking’s Ethnomusicology in the Twenty-first Century. Ashgate Publishing. [comment]
Rihm, Wolfgang (2002). Offene Enden. Hanser Belletristik. [comment]
Robineau, Anne & Fournier, Marcel (2006). Musique, enjeux sociaux et défis méthodologiques. Editions L’Harmattan. [comment]
Robinson, Jenefer (forthcoming). Deeper Than Reason: Emotion and its Role in Literature, Music and Art. Oxford University Press. [comment]
Robinson, Jenefer (2005). Deeper than reason. Emotion and its Role in Literature, Music, and Art. Oxford University Press. [comment]
Roederer, J.G. (1999). Physikalische und psychoakustische Grundlagen der Musik. Springer Verlag. [comment]
Rothenberg, D. & Ulvaeus, M. (2001). The Book of Music and Nature: An Anthology of Sounds, Words, Thoughts. Wesleyan University Press. [comment]
Sacks, Oliver (2007). Musicophilia: Tales of Music and the Brain. Knopf. [comment]
Samuels, Robert & Correa, Delia Da Sousa (eds.) (2005). Phrase and Subject: Studies in Music and Literature. Legenda. [comment]
Sangild, T. (2003). Støjens Æstetik. Copenhagen: Multivers. [comment](1)
Sangild, T. (2004). Objektiv Sensibilitet. Copenhagen: available on-line. [comment]
Schneck, Daniel J. (ed.) (2005). The Music Effect: Music Physiology and Clinical Applications. Jessica Kingsley Publishers. [comment]
Schönberger, Jörg (2006). Musik und Emotionen. Grundlagen, Forschung, Diskussion. Vdm Verlag Dr. Müller. [comment]
Scruton, Roger (2009). Understanding Music. Philosophy and Interpretation. Continuum. [comment]
Sethares, William A. (2005). Tuning, Timbre, Spectrum, Scale. Springer. [comment]
Sethares, William A. (2007). Rhythm and Transforms. Springer. [comment]
Sève, B. (2002). L'Altération ou ce que la musique apprend au philosophe. Seuil. [comment]
Sloboda, John (2004). Exploring the Musical Mind. Oxford University Press. [comment]
Smeijsters, Henk (2005). Sounding the Self: Analogy in Improvisational Music Therapy. Barcelona Publishers. [comment]
Smith, Peter H. (2005). Expressive Forms in Brahms’s Instrumental Music. Indiana University Press. [comment]
Snyder, Bob (2001). Music and Memory: An Introduction. MIT Press. [comment]
Solomos, S., Soulez, A. & Vaggione, H. Formel Informel: musique philosophie. L'Harmattan. [comment]
Spampinato, Francesco (2008). Les Métamorphoses du Son. Matérialité de l'Ecoute Musicale. L'Harmattan. [comment]
Spitzer, M. (2003). Musik im Kopf. Stuttgart: Schattauer Verlag. [comment]
Spitzer, Michael (2004). Metaphor and Musical Thought. University of Chicago Press. [comment]
Spitzer, Michael (2006). Music as Philosophy: Adorno and Beethoven’s Late Style. Indiana University Press. [comment]
Steinberg, Michael P. (2004). Listening to Reason: Culture, Subjectivity and Nineteenth-century Music. Princeton University Press. [comment]
Sterne, Jonathan (2003). The Audible Past: Cultural Origins of Sound Reproductions. Duke University Press. [comment]
Stevens, C., Burnham, D., McPherson, G., Schubert, E. & Renwick, J.M. (eds.) (2002). Proceedings of the 7th International Conference on Music Perception and Cognition. Adelaide: Causal Productions. [comment]
Stock, Kathleen (ed.) (forthcoming). Philosophers on Music: Experience, Meaning, and Work. Oxford University Press. [comment]
Stock, Kathleen (2007). Philosophers on Music: Experience, Meaning, and Work. Oxford University Press. [comment]
Stone, Ruth (2007). Theory for Ethnomusicology. Prentice Hall. [comment]
Styhre, Alexander (2008). Perception and Organization: Art, Music, Media. Palgrave Macmillan. [comment]
Szendy, P. (2002). Membres fantômes: Des corps musiciens. Editions de Minuit. [comment]
Szendy, P. (ed.) (2001). L'ecoute. [Les cahiers de l'Ircam]. Ircam. [comment]
Szwed, John F. (2005). Crossovers: Essays on Race, Music, and American Culture. University of Pennsylvania Press. [comment]
Tadday, Ulrich (ed.) (2007). Musikphilosophie. Edition text + kritik. [comment]
Tarasti, E. (2002). Signs of Music: A Guide to Musical Semiotics. Berlin: Mouton de Gruyter Verlag. [comment]
Tarasti, Eero (2006). La musique et les signes. Précis de sémiotique musicale. Editions L’Harmattan. [comment]
Taylor, T.D. (2001). Strange Sounds: Music, Technology and Culture. Routledge. [comment]
Temperley, David (2007). Music and Probability. MIT Press. [comment]
Tenzer, M. (2000). Gamelan Gong Kebyar : The Art of Twentieth-Century Balinese Music. [Chicago Studies in Ethnomusicology]. University of Chicago Press. [comment]
Thaut, Michael H. (2005). Rhythm, Music, and the Brain: Scientific Foundations and Clinical Applications. Routledge. [comment]
Thompson, William Forde (forthcomming). Music, Thought, and Feeling: The Psychology of Music. Oxford University Press. [comment]
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Tomlinson, Gary (2007). Music and Historical Critique. Ashgate. [comment]
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Washburne, C. & Dernø, M. (eds.) (2004). Bad Music. Routledge. [comment]
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Papers

Carr, David (2004). Music, meaning and emotion. Journal of Aesthetics and Art Criticism 62 (3), 225-234. [comment]
Donin, E. & Goldman, J. (eds.) (2003). Qui écoute? 1-2. Circuit: Musiques contemporaines 13, 2 - 14, 1. [comment]
Elschek, O. (2002). Die Beziehung zwishen Musikphilosophie und Musikästhetik. Musicologica Istropolitana 1, 11-24. [comment]
Hauser, Marc D. & McDermott, Josh (2003). The evolution of the music faculty: a comparative perspective. Nature Neuroscience 6, 663-668. [comment]
Hyde, K. L. & Peretz, I. (2004). Brains that are Out of Tune but in Time. Psychological Science 15 (5), 356-360. [comment]
Iyer, Vijay (2002). Embodied mind, situated cognition, and expressive microtiming in African-American music. Music perception: An interdisciplinary journal 19 (3), 387-414. [comment]
Jensen, K. (2002). Musical instruments control and expression. In: K. Jensen (ed.), Proceedings of the Mosart Midterm Meeting. Denmark. [comment]
Jensen, K. (2002). The timbre model. In: K. Jensen (ed.), Proceedings of the Mosart Midterm Meeting. Denmark. [comment]
Morley, I. (2002). Evolution of the Neurological and Physiological Capacities for music. Cambridge Archeological Journal 12 (2), 195-216. [comment]
Ockelford, Adam (2004). On similarity, derivation and the cognition of musical structure. Psychology of music 32 (1), 23-74. [comment]
Panskepp, J. & Bernatzky, G. (2002). Emotional sounds and the brain: the neuro-affective foundations of musical appreciation. Behavioural Processes 60, 133-155. [comment]
Peretz, I. (2002). Brain specialization for music. The Neuroscientist 8, 374-382. [comment]
Peretz, I. & Coltheart, M. (2003). Modularity of music processing. Nature Neuroscience 6, 688-691. [comment]
Sangild, T. (2002). Sensitive electronics. In: J.W. Goetz (ed.), Look at the Music – SeeSound. Ystad Art Museum / Museum of Contemporary Art, Roskilde. 20-28. [comment]
Sangild, T. (2004). Glitch – The Beauty of Malfunction. In: C. Washburne & M. Dernø (eds.), Bad Music. New York: Routledge. [comment]
Sibelius-Akatemia (2003). Music and meaning. Finnish music quarterly 2003, 2. [comment]
Trevarthen, C. & Malloch, S. (2002). Musicality and Music Before Three: Human Vitality and Invention Shared with Pride. Zero to Three 23 (1), 10-18. [comment]
Zatorre, R.J., Belin, P. & Penhune, V.B. (2002). Structure and function of auditory cortex: music and speech. Trends in Cognitive Sciences 6, 37-46. [comment]