JMM 1, Fall 2003, section 6
RECENT PUBLICATIONS
in the Area of Music-and-Meaning Studies
Books
Accaoui, C. (2001). Le temps musical. Paris: Desclée de Brouwer.
Attali, J. (2001). Bruits. Fayard. (1)
Ayari, M. (2003). L'ecoute des musiciens arabes improvisée: Essai de psychologie cognitive de l'audition. Paris: L'Harmattan. (2)
Bartel, D. (2002). Musica Poetica: Musical-Rhetorical Figures in German Baroque Music. University of Nebraska Press.
Beaman, J. (2003). How we hear music. Woodbridge, Rochester: Boydell Press.
Beran, J. (2003). Statistics in Musicology. CRC Press.
Braun, H.-J. (2002). Music and Technology in the Twentieth Century. John Hopkins University Press.
Chevallier, B. (2003). Le cerveau de Mozart. Odile Jakob.
Chouard, C. (2001). L'Oreille musicienne : les chemins de la musique de l'oreille au cerveau. Gallimard.
Chouvel, J.-M. & Lévy F. (eds.) (2002). Observation, analyse, modèle: Peut-on parler d'art avec les outils de la science. [Les cahiers de l'Ircam]. L'Harmattan.
Cumming, N. (2001). The Sonic Self: Musical Subjectivity and Signification. Indiana University Press.
Green, A. (ed.) (2000). Musique et sociologie: Enjeux méthodologiques et approches empiriques. Paris: L'Harmattan.
Hesse, H.-P. (2003). Musik und Emotion: Wissenschaftliche Grundlagen des Musik-Erlebens. Wien: Springer.
Holsinger, B.W. (2001). Music, Body, and Desire in Medieval Culture: Hildegard of Bingen to Chaucer. Stanford University Press.
Imberty, M. (ed.) (2001). De l'ecoute à l'oeuvre, études interdisciplinaires. [Sciences de l'education nationale]. Paris: L'Harmattan.
Jourdain, R. (2001). Das wohltemperierte Gehirn: Wie Musik im Kopf entsteht und wirkt. Spektrum Verlag.
Kassler, J.C. (2002). Music, Science, Philosophy: Models in the Universe of Thought. Ashgate publishing company.
Katz, R. & Hacohen, R. (2002). Tuning the Mind: Connecting Aesthetics to Cognitive Science. Transaction Pub.
Kivy, P. (2001). The Possessor and the Possessed: Handel, Mozart, Beethoven, and the Idea of Musical Genius. Yale University Press.
Klein, R., Kiem, E. & Ette, W. (2001). Musik in der Zeit. Göttingen: Velbrück Wissenschaft.
Korsyn, K.E. (2003). Decentering Music: a Critique of Contemporary Musical Research. Oxford university press.
Mâche, F. (2001). Musique au singulier. Odile Jakob.
Malhomme, F. (ed.) (2002). Musica rhetoricans. Presses de l'Université de Paris-Sorbonne.
Marschner, B. (2002). Zwischen Einfühlung und Abstraktion. Århus: Aarhus University Press.
Olive, J.-P., Kogler, S., Déotte, J.-L. & Chouvel, J.-M. (2003). Musique et mémoire: Actes des journées d'études, Université Paris 8, 29-30 novembre 2001. L'Harmattan.
Ouvry-Vial, B. Recherche et creation.
Peretz, I. & Zatorre, R.J. (eds.) (2003). The Cognitive Neuroscience of Music. Oxford: Oxford University Press.
Pineau, M. & Tillmann, B. (2001). Percevoir la musique: une activité cognitive. L'Harmattan.
Prieto, E. (2003). Listening in: Music, Mind, and the Modernist Narrative. University of Nebraska Press.
Roederer, J.G. (1999). Physikalische und psychoakustische Grundlagen der Musik. Springer Verlag.
Rothenberg, D. & Ulvaeus, M. (2001). The Book of Music and Nature: An Anthology of Sounds, Words, Thoughts. Wesleyan University Press.
Sangild, T. (2003). Støjens Æstetik. Copenhagen: Multivers. (1)
Sève, B. (2002). L'Altération ou ce que la musique apprend au philosophe. Seuil.
Solomos, S., Soulez, A. & Vaggione, H. Formel Informel: musique philosophie. L'Harmattan.
Spitzer, M. (2003). Musik im Kopf. Stuttgart: Schattauer Verlag.
Szendy, P. (2002). Membres fantômes: Des corps musiciens. Editions de Minuit.
Szendy, P. (ed.) (2001). L'ecoute. [Les cahiers de l'Ircam]. Ircam.
Tarasti, E. (2002). Signs of Music: A Guide to Musical Semiotics. Berlin: Mouton de Gruyter Verlag.
Taylor, T.D. (2001). Strange Sounds: Music, Technology and Culture. Routledge.
Vinet, H. & Delalande, F. (2000). Interfaces homme-machine et création musicale. Hermes Sciences Publications.
Wallin, N.L., Merker, B. & Brown Steven (1999). The Origins of Music. Cambridge, MA: MIT Press.
White, H. & Murphy, M. (eds.) (2001). Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture 1800-1945. Cork University Press.
Zatorre, R.J. & Peretz, I. (eds.) (2001). The Biological Foundations of Music. New York: New York Academy of Sciences.
Zbikowski, L. (2002). Conceptualizing Music: Cognitive Structure, Theory and Analysis. [Ams studies in music series]. Oxford university press.
Papers
Hauser, Marc D. & McDermott, Josh (2003). The evolution of the music faculty: a comparative perspective. Nature Neuroscience 6, 663-668.
Morley, I. (2002). Evolution of the Neurological and Physiological Capacities for music. Cambridge Archeological Journal 12 (2), 195-216.
Panskepp, J. & Bernatzky, G. (2002). Emotional sounds and the brain: the neuro-affective foundations of musical appreciation. Behavioural Processes 60, 133-155.
Peretz, I. (2002). Brain specialization for music. The Neuroscientist 8, 374-382.
Peretz, I. & Coltheart, M. (2003). Modularity of music processing. Nature Neuroscience 6, 688-691.
Trevarthen, C. & Malloch, S. (2002). Musicality and Music Before Three: Human Vitality and Invention Shared with Pride. Zero to Three 23 (1), 10-18.
Zatorre, R.J., Belin, P. & Penhune, V.B. (2002). Structure and function of auditory cortex: music and speech. Trends in Cognitive Sciences 6, 37-46.
