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JMM 4, Winter 2007, section 7

in the Area of Music-and-Meaning Studies


Aldridge, David (ed.) (2005). Music Therapy And Neurological Rehabilitation: Performing Health. Jessica Kingsley Publishers. [comment]
Almén, Byron & Pearsall, Edward (2006). Approaches to Meaning in Music. Indiana University Press. [comment]
Altenmüller, Eckart, Wiesendanger, Mario & Kesselring, Jurg (eds.) (2006). Music, Motor Control, and the Brain. Oxford University Press. [comment]
Andre, Naomi Adele (2006). Voicing Gender: Castrati, Travesti, And the Second Woman in Early Nineteenth-Century Italian Opera. Indiana University Press. [comment]
Ayrey, Craig (ed.) (2004). Analytical Strategies and Musical Interpretation. Essays on Nineteenth and Twetieth-Century Music. Cambridge University Press. [comment]
Baltazar, Marie (ed.) (2006). Terrains de la musique. Editions L’Harmattan. [comment]
Bull, Michael & Back, Les (eds.) (2003). The Auditory Culture Reader. Berg Publishers. [comment]
Chouvel, Jean-Marc (2006). Analyse Musicale: Sémiologie et cognition des formes temporelles. Editions L’Harmattan. [comment]
Clarke, Eric F. (2005). Ways Of Listening: An Ecological Approach To The Perception Of Musical Meaning. Oxford University Press. [comment]
Cohen-Levinas, Danielle (ed.) (2005). Musique et philosophie. Orfeo, no. 2. Editions L’Harmattan. [comment]
Collins, Paul (2005). The Stylus Phantasticus And Free Keyboard Music Of The North German Baroque. Ashgate Publishing. [comment]
Colwell, Richard (2006). MENC Handbook of Musical Cognition and Development. Oxford University Press. [comment]
Cope, David (2005). Computer Models of Musical Creativity. MIT Press. [comment]
Cox, Christoph & Warner, Daniel (eds.) (2004). Audio Culture: Readings in Modern Music. Continuum International Publishing Group. [comment]
Darbon, Nicolas (2006). Les Musiques du Chaos. Editions L’Harmattan. [comment]
Davies, Stephen (2004). Musical Works and Performances: A Philosophical Exploration. Oxford University Press. [comment]
Davis, Leith (2005). Music, Postcolonialism, and Gender: The Construction of Irish National Identity, 1725-1874. University of Notre Dame Press. [comment]
Dayan, Peter (2006). Music Writing Literature, from Sand via Debussy to Derrida. Ashgate Publishing. [comment]
Deliège, Irène & Wiggins, Geraint A. (eds.) (2005). Musical Creativity: Multidisciplinary Research in Theory And Practice. Psychology Press (UK). [comment]
Edgerton, Michael Edward (2005). The 21st Century Voice: Contemporary and Traditional Extra-Normal Voice. Scarecrow Press. [comment]
Evens, Aden (2005). Sound Ideas: Music, Machines, and Experience. University of Minnesota Press. [comment]
Franklin, Marianne (2005). Resounding International Relations : On Music, Culture and Politics. Palgrave Macmillan. [comment]
Green, Anne-Marie (2006). De la musique en sociologie. Editions L’Harmattan. [comment]
Gritten, Anthony & King, Elaine (2006). Music and Gesture. Ashgate Publishing. [comment]
Gruhn, Wilfried (2005). Der Musikverstand. Olms. [comment]
Guillaume, Philippe (2005). Musique et acoustique: De l’instrument à l’ordinateur. Hermes Science Publications. [comment]
Guillaume, Philippe (2006). Music and Acoustics: From Instrument to Computer. ISTE Publishing Company. [comment]
Hautbois, Xavier (2006). L’Unité De L’Oeuvre Musicale. Recherche d’une esthétique comparée avec les sciences physiques. Editions L’Harmattan. [comment]
Huron, David (2005). Sweet Anticipation. Music and the Psychology of Anticipation. MIT Press. [comment]
Ilnitchi, Gabriela (2005). The Play of Meanings : Aribo's De musica and the Hermeneutics of Musical Thought. Scarecrow Press. [comment]
Imberty, Michel (2005). La musique creuse le temps. De Wagner à Boulez : Musique, Psychologie, Psychanalyse. Editions L’Harmattan. [comment]
Keller, Hans (2005). Essays on Music. Cambridge University Press. [comment]
Kremer, Joseph-François (2006). Les formes symboliques de la musiques. Editions L’Harmattan. [comment]
Lacchè, Mara (2006). L’imaginaire musical entre création et inteprétation. Editions L’Harmattan. [comment]
Lee, Colin (2004). The Architecture of Aesthetic Music Therapy. Barcelona Publishers. [comment]
Lehmann, Andreas C., Sloboda, John A. & Woody, Robert H. (forthcomming). Psychology for Musicians: Understanding and Acquiring the Skills. Oxford University Press. [comment]
Levinson, Jerrold (2006). Contemplating Art. Oxford University Press. [comment]
Levitin, Daniel J. (2006). This is your Brain on Music: The Sicence of a Human Obsession. Dutton Adult. [comment]
London, Justin (2004). Hearing in Time. Psychological Aspects of Musical Meter. Oxford University Press. [comment]
Lowe, Melanie (forthcomming). Pleasure and Meaning in the Classical Symphony. Indiana University Press. [comment]
Loy, Gareth (2006). Musimathics. The Mathematical Foundations of Music, Vol. 1. MIT Press. [comment]
McPherson, Gary (forthcomming). The Child as Musician: A Handbook of Musical Development. Oxford University Press. [comment]
Middleton, Richard (2006). Voicing the Popular: On the Subjects of Popular Music. Routledge. [comment]
Miell, Dorothy, Macdonald, Raymond & Hargreaves, David J. (eds.) (2005). Musical Communication. Oxford University Press. [comment]
Monelle, Raymond (2006). The Musical Topic: Hunt, Military and Pastoral. Indiana University Press. [comment]
Moorefield, Virgil (2005). The Producer as Composer: Shaping the Sounds of Popular Music. MIT Press. [comment]
Nattiez, Jean-Jacques & Dunsby, Jonathan (2004). The Battle of Chronos and Orpheus. Essays in Applied Musical Semiology. Oxford University Press. [comment]
Nettelbeck, Colin (2005). Dancing with de Beauvoir : Jazz and the French. Melbourne University Press. [comment]
Nuti, Gianni (2006). Le corps qui pense. Etude sur les tensions musculaires non fonctionelles chez l’intreprète musical. Editions L’Harmattan. [comment]
Olive, Jean-Paul (2005). Expérience et fragment dans l’esthétique musicale d’Adorno. Editions L’Harmattan. [comment]
Perret, Daniel (2005). Roots of Musicality: Music Therapy and Personal Development. Jessica Kingsley Publishers. [comment]
Pople, Anthony (ed.) (2004). Theory, Analysis and Meaning in Music. Cambridge University Press. [comment]
Robineau, Anne & Fournier, Marcel (2006). Musique, enjeux sociaux et défis méthodologiques. Editions L’Harmattan. [comment]
Robinson, Jenefer (2005). Deeper than reason. Emotion and its Role in Literature, Music, and Art. Oxford University Press. [comment]
Schneck, Daniel J. (ed.) (2005). The Music Effect: Music Physiology and Clinical Applications. Jessica Kingsley Publishers. [comment]
Schönberger, Jörg (2006). Musik und Emotionen. Grundlagen, Forschung, Diskussion. Vdm Verlag Dr. Müller. [comment]
Smeijsters, Henk (2005). Sounding the Self: Analogy in Improvisational Music Therapy. Barcelona Publishers. [comment]
Smith, Peter H. (2005). Expressive Forms in Brahms’s Instrumental Music. Indiana University Press. [comment]
Spitzer, Michael (2006). Music as Philosophy: Adorno and Beethoven’s Late Style. Indiana University Press. [comment]
Sterne, Jonathan (2003). The Audible Past: Cultural Origins of Sound Reproductions. Duke University Press. [comment]
Szwed, John F. (2005). Crossovers: Essays on Race, Music, and American Culture. University of Pennsylvania Press. [comment]
Tarasti, Eero (2006). La musique et les signes. Précis de sémiotique musicale. Editions L’Harmattan. [comment]
Thaut, Michael H. (2005). Rhythm, Music, and the Brain: Scientific Foundations and Clinical Applications. Routledge. [comment]
Turner, Mark (ed.) (2006). The Artful Mind: Cognitive Science and the Riddle of Human Creativity. Oxford University Press. [comment]
Vichinsky, Elliot P. & Avanzini, Giuliano (eds.) (2006). Neurosciences and Music II: From Perception to Performance (Cooley’s Anemia Symposium 2005). Annals of the New York Academy of Sciences. [comment]