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JMM 5, Summer 2007, section 9

in the Area of Music-and-Meaning Studies


Arbo, Alessandro (forthcoming). Perspectives de l’esthétique musicale: Entre théorie et histoire. Editions L’Harmattan. [comment]
Beauchamp, James W. (2007). Analysis, Synthesis, and Perception of Musical Sounds. Springer. [comment]
Becker, Alexander & Vogel, Matthias (eds.) (2007). Musikalischer Sinn: Beiträge zu einer Philosophie der Musik. Suhrkamp. [comment]
Benson, Dave (2007). Music: A Mathematical Offering. Cambridge University Press. [comment]
Biddle, Ian & Knight, Vanessa (eds.) (2007). Music, National Identity, and the Politics of Location. Ashgate Publishing. [comment]
Bielefeldt, Christian, Dahmen, Udo & Grossmann, Rolf (eds.) (2007). PopMusicology: Perspektiven der Popmusikwissenschaft. Transcript. [comment]
Blasius, Leslie David (2006). Schenker’s Argument and the Claims of Music Theory. Cambridge University Press. [comment]
Blesser, Barry & Salter, Linda-Ruth (2006). Spaces Speak: Are You Listening: Experiencing Aural Architecture. MIT Press. [comment]
Bowie, Andrew (forthcoming). Music, Philosophy, and Modernity. Cambridge University Press. [comment]
Brown, Steven & Volgsten, Ulrik (eds.) (2006). Music and Manipulation: On the Social Uses and Social Control of Music. Berghahn Books. [comment]
Campen, Cretien van (forthcoming). The Hidden Sense: Synaesthesia in Art and Science. MIT Press. [comment]
Chua, Daniel (2006). Absolute Music and the Construction of Meaning. Cambridge University Press. [comment]
Cook, Nicholas (forthcoming). The Schenker Project: Culture, Race, and Music Theory in Fin-de-Siècle Vienna. Oxford University Press. [comment]
Darbon, Nicolas (2007). Musica Multiplex: Dialogique du simple et du complexe en musique contemporaine. Editions L’Harmattan. [comment]
Dodd, Julian (2007). Works of Music: An Essay in Ontology. Oxford University Press. [comment]
Emmerson, Simon (2007). Living Electronic Music. Ashgate Publishing. [comment]
Gratier, Maya & Imberty, Michel (forthcoming). Temps, Geste et Musicalité. Editions L’Harmattan. [comment]
Hamilton, Andy (2007). Aesthetics and Music. Continuum International Publishing Group. [comment]
Heinel, Norbert (2007). Philosophie des Musikalischen Kunstwerks. Praesens Verlag. [comment]
Herr, Corinna & Woitas, Monika (eds.) (2006). Musik mit Methode: Neue Kulturwissenschaftliche Perspektiven. Böhlau. [comment]
Jan, Steven (2007). The Memetics of Music. Ashgate Publishing. [comment]
Kivy, Peter (2007). Music, Language, and Cognition: And other essays in the Aesthetics of Music. Oxford University Press. [comment]
Kramer, Lawrence (2007). Why Classical Music Still Matters. University of California Press. [comment]
Krims, Adam (2007). Music and Urban Geography. Routledge. [comment]
Landy, Leigh (2007). Understanding the Art of Sound Organization. MIT Press. [comment]
Leman, Marc (2007). Embodied Music Cognition and Meditation Technology. MIT Press. [comment]
Leppert, Richard (2007). Sound Judgement: Selected Essays. Ashgate Publishing. [comment]
Loy, Gareth (2006). Musimathics: The Mathematical Foundations of Music, vol.2. MIT Press. [comment]
Mahnkopf, Claus-Steffen (2006). Kritische Theorie der Musik. Velbrück. [comment]
Mahnkopf, Claus-Steffen (2007). Die Humanität der Musik: Essays aus dem 21. Jahrhundert. Wolke Verlag. [comment]
McClary, Susan (2007). Reading Music: Selected Essays. Ashgate Publishing. [comment]
Miranda, Eduardo R. & Biles, John A (eds.) (2007). Evolutionary Computer Music. Springer. [comment]
Mohr, Georg & Kreuzer, Johann (2007). Vom Sinn des Hörens: Zur Philosophie der Musik. Königshausen & Neumann. [comment]
Nussbaum, Charles O. (forthcoming). The Musical Representation: Meaning, Ontology, and Emotion. MIT Press. [comment]
Ockelford, Adam (2005). Repetition in Music: Theoretical and Metatheoretical Perspectives. Ashgate Publishing. [comment]
Pasler, Jann (forthcoming). Writing through Music: A Collection of Essays on Music and Culture. Oxford University Press. [comment]
Pierce, Alexandra (forthcoming). Deepening Musical Performance through Movement: Theory and Practice of Embodied Interpretation. Indiana University Press. [comment]
Reily, Suzel Ana (ed.) (2007). The Musical Human: Rethinking John Blacking’s Ethnomusicology in the Twenty-first Century. Ashgate Publishing. [comment]
Sethares, William A. (2005). Tuning, Timbre, Spectrum, Scale. Springer. [comment]
Sethares, William A. (2007). Rhythm and Transforms. Springer. [comment]
Stock, Kathleen (ed.) (forthcoming). Philosophers on Music: Experience, Meaning, and Work. Oxford University Press. [comment]
Tadday, Ulrich (ed.) (2007). Musikphilosophie. Edition text + kritik. [comment]
Temperley, David (2007). Music and Probability. MIT Press. [comment]
Tomlinson, Gary (2007). The Singing of the New World. Cambridge University Press. [comment]